But as a year-old, she says, Medea "made total sense to me". The Stones will not sanction such a show unless it meets all manner of standards — and even then might refuse to give it their blessing. Yet to hear Rachael Stirling talk about the character she is about to play , you'd think Medea was a role model for the smart, modern woman. That had never happened before, and it's never happened again. I love her brashness — I'm slightly vulgar in life and I like her vulgarity, it makes me laugh.
She added that returning to work with her 'sprog' was exciting, but also 'trepidatious'. Stirling said there was strict security surrounding the script. Beattie still recalls the first line spoken to her by Jason, in Liz Lochhead 's adaptation: But she praised Herrin for making the experience 'a plus and not a minus'. In the original play, Medea leaves the killing scene in triumph, rising to the heavens in a golden chariot. And she makes terrible fun of Jason. I don't think there's a woman I know who hasn't had that one. Kristofferson refuses to read this as pure victory: When I was working on Medea in my flat, the radio would turn on by itself. Stirling said director Herrin told her it would be a very baby-friendly theatre, 'so I may be bringing my young boy with me'. The play marks Stirling's return to the theatre following the birth of son Jack with husband Guy Garvey, the Elbow frontman. Bartlett has retained an element of magic in his updated version: Rachael Sitrling's back on stage in a Labour of Love. Kill your own, and part of you will no longer live. The Stones don't have the rights to some of their early stuff as they didn't know they would be successful Half a century ago, the Stones had no clue that their early successes would be worth millions today. Stirling is reluctant to talk about her mother, keen to emphasise that she is her own person. A byword for narcissism and violence, she is abandoned by her husband, and lashes out by killing their children. There is now a huge appetite for Graham's work, and not just from MPs. The Stones will not sanction such a show unless it meets all manner of standards — and even then might refuse to give it their blessing. Share via Email Woman on the verge Jagger and Keith Richards did not attend the workshops but sent an associate, who reported back. Mick Jagger and his fellow band members do not have control of their Sixties hits because they signed away the rights in a contract negotiation with the notorious Allen Klein before they understand the importance of maintaining ownership. I had a lot of physical injuries. She's like a boxer in a fairground: I love her strength of will, her pragmatism.
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