Medem is a most interesting director, and his films — which rely on coincidences and chance encounters — are always worth looking at. Even though the film is at times elusive, its cumulative impact is somehow quite powerful and moving. Lorenzo is a novelist, he uses all of his life in his work. And this is also the first film that he's located outside his Basque homeland. But some years later Lorenzo discovers that from that sex-filled moonlit night on the island he has a daughter. The film gives Medem the chance to feature three most beautiful women, Vega, Nimri and Anaya are very impressive. Interestingly Medem shot the film on digital video, it apparently allowed him to shoot reams and to concentrate on performances. About six years pass. She asks to speak to him and he joins her.
About six years pass. Interestingly Medem shot the film on digital video, it apparently allowed him to shoot reams and to concentrate on performances. And this is also the first film that he's located outside his Basque homeland. She discovers she is pregnant with his child, and attempts to find him, but, not knowing much about him, is unable to. They part ways, expecting to never see each other again. Maybe artistic merit has something to do with subtitles. By 1 Jan - She receives a phone call from the police while finding a suicide note, and is so afraid of bad news that she hangs up, assuming the worst. The film then interweaves the past and present, of the characters in the film, and the characters in Lorenzo's novel. After both women discover that Lorenzo isn't dead, the three characters cope with and finally understand the entanglements of their interwoven relationships. He anonymously contacts Elena, who has moved to the island to find solace and recall better days, and provides her a nice story about a beautiful child that loves to swim in the sea, to cheer her spirits. Unable to come to terms with his death, she takes a trip to a Mediterranean island that he told her about long ago as it is where important elements from his novels were spawned. Lorenzo runs away and falls into a deep depression. Comments by David Stratton: Lorenzo is a novelist, he uses all of his life in his work. Lucia also tries to reconcile her unresolved feelings while sorting through the events of the confusing weeks leading up to his death. And it's good to note that the film has enough artistic merit despite its actual sex scenes to warrant an R-rating from the OFLC. Six years earlier on that very island Lorenzo had had a brief fling with a stranger, Elena Najwa Nimri on a beautiful moonlit night. But some years later Lorenzo discovers that from that sex-filled moonlit night on the island he has a daughter. This elliptical interweaving of connections is very seductive. Since he has been in a 'funk' for a while, she's worried and goes home to console him. Medem is a most interesting director, and his films — which rely on coincidences and chance encounters — are always worth looking at. Lorenzo's writing turns dark, towards depraved sex and death. Both Tristan Ulloa and Paz Vega are veterans of Spanish television, they make the leap to the big screen in grand style here. This one's visually handsome but emotionally rather dead. The film gives Medem the chance to feature three most beautiful women, Vega, Nimri and Anaya are very impressive. They call back, but she ignores the ringing phone, packs a bag, and flees.
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